Sundance 2022

“After Yang” is a science fiction film that delves into emotions of mourning, absence, and family heritage. I have a particular affinity for "in the weeds" sci-fi stories like this. Jake (Colin Farrell) spends much of the film running around town trying to figure out how to get his android Yang repaired. They had purchased Yang to teach their adopted daughter Mika about her Chinese heritage. Secondhand Android dealers, voided warranties, and unlicensed Android repairs are all a part of Jake's quest. Along the way, Jake gains access to Yang's memories, albeit mostly very brief clips of the everyday happenings of a "techno sapiens"—remarkable mainly in that androids are not supposed to be able to record memories. Jake pivots to a search for the mystery of the meaning behind these memories. It's a film that is a contemplative musing on life itself. It reminded me of last year's Edson Oda's “Nine Days.” It's an impeccably shot film with an outstanding performance from Farrell. Its slow and somber pace and mood certainly won't be for everyone, but it does have a fantastic opening credits sequence, which is a must-see. I plan to check out Kogonada's “Columbus,” which I always hear rave reviews about. 

— 3 / 5 ⭐